Teaching Philosophy

Learning needs to be an enjoyable experience for all parties involved. Without some means of enjoyment, both the instructor and the student are in danger of not walking away with any meaningful takeaways from it. A classroom without any sense of enjoyment amounts to little more than a waste of time. The entertainment aspect is easily achieved by viewing the student as an equal; by placing yourself (as an instructor) on the same field as the students, it helps them become far more engaged in the session itself.

As a student, I was all too aware when I was forced to partake in mandatory workshops; the instructor would stand before my class reciting script by rote, regardless of how glazed-over the students’ eyes became. It wasn’t until I realized how much more invested I was when the instructor was able to cater the lecture to the specific classroom. By utilizing class participation and various humorous interludes, my high school English teacher showed me just how paramount it was to entertain as well as instruct. She would talk to us as equals and colleagues rather than just her wards for the fifty minutes of the class period. She’d encourage dialogue and discussion (even dissenting opinions to her own!) and through that made me want to continue my learning career far into the graduate realm.

While I was on the receiving end of instruction, I always felt that the teacher was someone far above my status: I couldn’t connect with them because, as a teacher, they were above me. Humor and calls-to-action during the various sessions I observed made sure I was going to pay attention and retain the information being conveyed, far better than a simple recitation.

In a past lifetime, I was an actor: I loved performing and commanding the attention of those around me. The training I have as an actor helps me  effectively portray the necessary information in an easily-digestible manner for the students to use; simple acting techniques like projection, pacing, and effective blocking (speaker placement / orientation) can make the lecture seem less like a dictation and more like a ‘show’ for the pupils. I learned many of these techniques as an actor in a traveling children’s show, performing for elementary-aged students. Being able to ensure the plot (in addition to the lines) was understandable by a wide variety of students was invaluable. While I long abandoned the dream of acting in favor of professional librarianship, I still maintain the need to amuse and entertain. It is this background that helped me understand my position as an instructor.


During my instruction sessions through my practicum, it’s clear that I was reaching students by commanding their attention. While teaching ESL117, the students had very few questions on the overall content during their guided work period of the class. Whenever a student raised their hand, it was mostly to review one or two minor aspects of the lecture as a whole. During this session, I was actually very impressed with how well everyone was progressing with very little supervision, and I made sure to emphasize this opinion. I would check in with each student individually to see their progress and found that they all were utilizing the search techniques I had lectured about. The other side of ensuring an enjoyable experience is positive reinforcement. If a student is doing well and shows a clear understanding of the concepts, that cannot go unsaid. Students should be told when they are doing well (especially when faced with a new concept, such as library searching) so that they can feel confident going forward. Particularly in library instruction, it’s very easy for a student to get very frustrated while searching, often bringing up too many or too few results in their first few searches. A friendly voice from an entertaining instructor can mean all the difference when faced with a roadblock like that.

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